Next Year, in spring 2026, the air at the Metropolitan Museum of Art will exude all things fashionable and speak volumes about the power of art. On Monday, November 17, the museum unveiled the theme of its blockbuster fashion exhibition, Met Gala, as ‘Costume Art’. The highly anticipated showcase has challenged designers worldwide, pushing their creativity, beliefs, and imagination to new heights. The display will open doors on May 10, 2026, whereas the fundraiser event will be held on May 4, 2026.
The museum intends to place fashionable masterpieces alongside artworks from across the Met’s vast collection to illustrate how style has always been interwoven with painting, sculpture, illustration, and so much more.
The spring 2026 exhibition at the Costume Institute will mark the inauguration of the Condé M. Nast Galleries, spanning over 12,000 square feet, adjacent to the Met’s Great Hall. Moreover, it will display the department’s annual spring show and mark the beginning of a new chapter for the Museum.
The Costume Institute’s annual exhibition will focus on Western art from prehistory to the present. According to the Metropolitan Museum of Art and the Costume Institute, the magnificent show will also explore artistic representations of the dressed body, pairing fashions and artworks from the Museum’s vast collection to highlight the inherent relationship between clothing and the body.
Andrew Bolton, the curator in charge, stated, “It’s a huge moment for the Costume Institute. It will be transformative for our department, but I also think it’s going to be transformative to fashion more generally, the fact that an art museum like The Met is actually giving a central location to fashion.” Having said that, Bolton’s exhibition highlights the centrality of the dressed body in the museum’s vast collection.
The exhibition, organized by Andrew Bolton, will feature a series of thematic body types loosely divided into three categories. These include bodies omnipresent in art, like the classical body and the nude body. The second category consists of other kinds of bodies that are often overlooked, such as aging and pregnant bodies. And, lastly, the universal ones, like an anatomical body. While explaining the categories, he stated, “The idea was to put the body back into discussions about art and fashion, and to embrace the body, not to take it away as a way of elevating fashion to an art form.”
Jeff and Lauren Bezos have funded the momentous exhibition with additional support from Saint Laurent and Condé Nast. Undoubtedly, it is intriguing to see how designers and celebrities will understand the fashion assignment of ‘Costume Art’ correctly.
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